Fiction
The English Major
by Jim Harrison (Grove)
The protagonist of this irresistibly entertaining novel has lost most of what mattered to him: the farm he's run for twenty-five years, the unfaithful wife who has become career-obsessed, and his beloved dog.
Sixty-year-old Cliff embarks on a multistate road trip, and his exploits include indulging in a lusty affair with a former student, pondering renaming state birds and places, visiting his successful son in San Francisco, fly-fishing whenever possible, and philosophizing in true English major fashion.
You can't help becoming inordinately fond of this hilariously irascible, yet wryly self-aware character, as he finds peace with his world, anew. -E Dorfman
To Siberia
by Per Petterson (Graywolf)
It is rareeven among master storytellersto find a gentle voice that is pure enough to trace the feelings and musings of a child. Per Petterson has this gift, and the reader can’t resist the mesmerizing pull of this coming-of-age story of a brother and sister with neglecting parents and a looming Nazi invasion. With stunning prose, this simple story unravels flawlessly and is not to be missed.
To Siberia is Petterson's most recent novel since Out Stealing Horses, which was an international bestseller and one of the New York Times Book Review's top ten books of 2007. -J. Stark
Vacation
by Deb Olin Unferth (McSweeneys)
Unferth's eagerly awaited first novel is an adventure starring the ordinary Myers, whose only distinguishing characteristic is the funny shape of his head. Myers is stalking his wife, who is stalking another man, Gray. By proxy, Myers is also stalking Gray, whose daughter and ex-wife are looking for him in South America, unbeknownst to Gray, who might be suffering from amnesia. Confused? Don't worry; Unferth unfurls her swirling plot with ease, weaving the reader's own inevitable questioning into the story. Vacation is homage to these unhinged times, where the connections we have to others are tenuous at best, and is simply one of those books you must read to believe. -M. Woolbright
Death with Interruptions
by José Saramago (Harcourt)
In his latest novel, the Portuguese Nobel laureate conjures the ultimate scenario: What if death (that's small dthe death assigned to one particular countrywho also happens to be a woman) decided to cease harvesting human lives? A dream come truewhich soon turns to nightmare, as terminal cases linger indefinitely with no hope of recovery or deliverance; as social, political, and business institutions are shaken to their foundations.
She (death) soon sees the impracticality of her experiment, but thenshe falls in love with a cello player.
There you have itlove and deaththe great preoccupations of all art; perhaps Saramago's last word. -P. Aaron
Couch
by Benjamin Parzybok (Small Beer Press)
When their apartment is unexpectedly flooded, three roommates must move a couch that exerts its will upon them by becoming lighter or heavier depending on the direction they travel; a couch that is unscathed after being hit by a train; a couch that inspires strange people to offer ridiculous sums to buy it; a couch that proves seaworthy and takes them far into the ocean; a couch that demands to be carried through a Central American jungle with armies of trigger-happy bandits in hot pursuit; a couch that may be as old as the world and powerful enough to either annihilate or redeem it. -C. Sabatini
2666
by Roberto Bolaño (Farrar Strauss & Giroux)
Early in 2666, two scholars are discussing an author's style and agree that "delicately" is the most fitting description of how he captures human essence. This is, perhaps, also the best way to describe Bolaño's own style. As a poet turned novelist he delicately arranges each word, building a narrative of individual segments into a thunderous symphony of life and death. Every facet of the human condition is visited somewhere in these pages; yet, disturbingly, violence is the central theme. 2666 is a supremely important work of contemporary literature and will cement Bolaño's reputation as one of the most talented novelists of his generation. -J. Zaidi
Demons in the Spring
by Joe Meno (Akashic)
Demons in the Spring is a delightboth for the quiet intensity of Meno’s short stories and for the illustrations by twenty young artists that accompany them. With humor, compassion, and childlike wonder, Meno shows us the unusual, comical lengths people go to in order to find love (a Stockholm bank robber tries to befriend his hostages); the incomprehensible ways love eludes us (a man's wife turns into a cloud whenever he kisses her); and the ways we try to hide or overcome our grief (a three-year-old girl only leaves the house with a white sheet over her head). -C. Schwennsen
The Flying Troutmans
by Miriam Toews (Counterpoint)
When Hattie's eleven-year-old niece, Thebes, calls her in the middle of the night explaining that she and her brother can no longer take care of their mentally ill mother, Hattie travels from Paris to place her sister in a psych ward. With the sudden realization of the great responsibility she has taken on, Hattie piles the kids into a van in a desperate attempt to find their father.
Miriam Toews has created a story about average people coping with difficult situations and their tendency to run from them. Along the journey, they discover what truly matters and stick together, facing problems head-on. -J. Ditzel
Home
by Marilynne Robinson (Farrar, Strauss & Giroux)
"Can the Scotsman change his skin or the leopard his spots? Then may ye also do good that are accustomed to do evil." These are the thoughts of Jack Boughton, once a petty thief, scoundrel, and brooding drunk, the prodigal son who has now returned home to Gilead.
In Home, a companion book to Gilead, Robinson sets her attention to another pious family in the same Iowa town. Through the quiet, self-deprecating humor of her third-person narrator and her still, solemn prose, Robinson dissects questions of personal space, secrets, generations, forgiveness, love, death, faith, and most importantly, what makes a place home. -H. Jarvenpaa
The Given Day
by Dennis Lehane (William Morrow)
In his previous novels Lehane delivers gritty, engaging narratives where flawed, everyday people cope with extraordinary challenges. The Given Day continues this stylistic tradition while transporting readers nearly two hundred years into Boston's past, when deadly influenza, communist bombings, rampant corruption, and political ineptitude are leading the city toward chaos and destruction. There is no simple good or evil, black or white amid these pages, for in Lehane's world everything and everyone is a multifaceted combination of rights and wrongs. A magnificent mixture of history, literary storytelling, and page-turning intrigue, this is certainly Lehane's finest novel yet. –J. Zaidi
Pretty Monsters
by Kelly Link (Viking Juvenile)
Kelly Link's stories are filled with aliens, would-be wizards, fictional television characters that may actually be real, and, of course, monsters. They are also filled with people dealing with the stuff of reality: conflicts with parents, awkward and confusing crushes, extreme poverty, and that murky thing called identity. She creates worlds (and worlds within worlds) both playful and frightening, where the real world and the world of fantasy seamlessly meet. While the title is touted as her first young adult story collection, it is one that will appeal to all ages. -P. Davis
The Ghost in Love
by Jonathan Carroll (Farrar, Strauss & Giroux)
Jonathan Carroll pushes readers of his latest novel to answer questions of mortality, fate, and the natural order of life with his unique humor, wit, and captivating charm. Meet Ben, an average city-dweller with a strong, beautiful girlfriend, German, and their aging mutt, Pilot. Don't forget anotherBen's ghostsent to figure out why Ben didn't die as scheduled. Was it a computer glitch, or is Carroll playing philosopher, hinting at something greater? The answer is yes, all done with ease and a keen eye at seeing what few others can. Oh, and with a talking dog, too, of course. -A. King
The Gone-Away World
by Nick Harkaway (Knopf)
Gonzo Lubitsch and his colorful crew of troubleshooters are on a quest to save the world. Following a breakthrough that proves information is the glue holding matter together, a rogue corporation creates the ultimate weapon: It makes matter go away. The ensuing environmental and genetic catastrophe provides the backdrop for a cast of characters that includes pirates, nightmares, ninjas, mutants, and militant mimes. Harkaway's prose bubbles with inventive ideas and wry humor. Riffing on the nature of our identity as individuals and as a species while driving the plot through intriguing twists and turns, this debut novel is an exuberant ride through literary genres. -M. Bucher
The Butt
by Will Self (Bloomsbury)
Like the darkest, most convoluted episode of The Twilight Zone, the world Will Self created here seems imaginary and entertaining, but when you take a closer look, it suddenly does not seem that foreign. Tom Brodzinski's life is thrown into a tailspin the moment his still-smoldering cigarette butt lands on a man on the balcony below his. He is immediately wrapped up in an oppressive legal system riddled with inconsistencies and drastically unwarranted punishment. Tom finds himself on an outrageous journey to pay the consequences, but they just keep adding up until he reaches the thrilling, if not unsettling, conclusion. -J. Wells
Anathem
by Neal Stephenson (William Morrow)
In his science fiction, Stephenson is known for delving into the big issues of our time: politics, religion, philosophy. In his latest tome, Anathem, Stephenson surpasses his previous ruminations as he introduces us to the devout philosophers, mathematicians, and scientists that live behind the monastic walls of Saunt Edhar. Fraa Erasmas is one of the devout, a boy of eighteen who lives a simple life of study separate from the corruption of the secular world. Soon, though, as the gates of Saunt Edhar open for their once-a-decade ritual, the two worlds, with the help of Erasmas, will have to work together to stave off the destruction of their shared landscape. -C. Stryer
The Tsar's Dwarf
by Peter H. Fogtdal
trans. by Tiina Nunnally (Hawthorne Books)
Fogtdal's story is grotesque and sometimes brutal, but so richly imagined that it is captivating from the start. It is the story of Sorine, a Danish dwarf and self-described "curiosity cabinet" who is taken from the disease-ridden basement in which she lives to Tsar Peter the Great's court in Russia. Here the lines are blurred between Sorine's world of filth and the comparative lavishness of the nobles, who treat dwarves both as "poppets," to be coddled and dressed up, and as brutish animals. Part historical fiction, part nightmare, The Tsar's Dwarf is a heart-wrenching tale of humanity. -M. Woolbright
The Man in the Picture
by Susan Hill (Penguin)
Dr. Parmitter, an old professor, relates a story about a painting of a Venetian carnival he has on his wall to a former tutor, Oliver. The painting has a way of capturing and drawing the viewer in, but there is also something much more ominous about it. Although Hill's novel is set in the present, it has the elegance of a Victorian ghost storythat Gothic feeling of dread and foreboding. You won't be able to walk away from this eerie story without being disturbed. -G. Berry
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