Infrathin: An Experiment in Micropoetics (Paperback)

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Description


Esteemed literary critic Marjorie Perloff reconsiders the nature of the poetic, examining its visual, grammatical, and sound components.
 
The “infrathin” was Marcel Duchamp’s playful name for the most minute shade of difference: that between the report of a gunshot and the appearance of the bullet hole, or between two objects in a series made from the same mold. “Eat” is not the same thing as “ate.” The poetic, Marjorie Perloff suggests, can best be understood as the language of infrathin. For in poetry, whether in verse or prose, words and phrases that are seemingly unrelated in ordinary discourse are realigned by means of sound, visual layout, etymology, grammar, and construction so as to “make it new.”
 
In her revisionist “micropoetics,” Perloff draws primarily on major modernist poets from Stein and Yeats to Beckett, suggesting that the usual emphasis on what this or that poem is “about,” does not do justice to its infrathin possibilities. From Goethe’s eight-line “Wanderer’s Night Song” to Eliot’s Four Quartets, to the minimalist lyric of Rae Armantrout, Infrathin is designed to challenge our current habits of reading and to answer the central question: what is it that makes poetry poetry?

About the Author


Marjorie Perloff is the Sadie Dernham Patek Professor of Humanities Emerita at Stanford University and the Florence R. Scott Professor of English Emerita at the University of Southern California. She is the author of many books, including Poetics in a New Key and Unoriginal Genius, also published by the University of Chicago Press.

Praise For…


“What is the difference between attending a botany seminar and immersing oneself in the forest in the company of a guide who passionately knows their flora and fauna? This is what one discovers by reading Perloff's Infrathin, an irresistible tour through the work of some of the main artisans of modernist and contemporary poetry, under the prism of an unusual mentor: Marcel Duchamp. A gift for lovers of the genre and a must-read for poets.”
— André Vallias, poet and graphic designer

“INFRA, not intra, and THIN, a split second so sliced, its instant infinity so spilt. Infrathink with Duchamp and Co. to step into a whole new world of differential repetitions and serial departures across the world of modern(ist) art, especially poetry. Whether you just ‘think different’ or have already ‘done différance,’ as you continue to make your way through the alreadymadeness of modern times so remade, you, too, with Marjorie Perloff, our go-to code-breaker here, will get this: how and why reading between the cracks, not just lines, matters.”
— Kyoo Lee, author of 'Reading Descartes Otherwise'

“This age of polarization needs those who build bridges—not necessarily to create unity or understanding, but to allow life-giving movement between thought and creativity. The impact of Perloff's impressive lifelong project becomes even clearer with this book: her refusal to let academic propriety constrain her and her determination to give her great intelligence free play and to follow her deepest enthusiasms. As a result, we have a book that will illuminate and give pleasure to both scholar and poet, wherever they might come from.”
— Amit Chaudhuri, novelist, essayist, and musician
Product Details
ISBN: 9780226798509
ISBN-10: 022679850X
Publisher: University of Chicago Press
Publication Date: September 3rd, 2021
Pages: 240