Blackness in Opera (Paperback)

Blackness in Opera Cover Image
By Naomi Andre (Editor), Karen M. Bryan (Editor), Eric Saylor (Editor), Guthrie Ramsey (Foreword by), Frederick Delius (Contributions by), William Grant Still (Contributions by), George Shirley (Contributions by), Naomi André (Contributions by), Melinda Boyd (Contributions by), Gwynne Kuhner Brown (Contributions by), Karen M. Bryan (Contributions by), Melissa J. de Graaf (Contributions by), Christopher R. Gauthier (Contributions by), Jennifer McFarlane-Harris (Contributions by), Guthrie Ramsey (Contributions by), Eric Saylor (Contributions by), Sarah Schmalenberger (Contributions by), Ann Sears (Contributions by), Clarence Cameron White (Contributions by), Gayle Murchison (Contributions by), Jonathan O. Wipplinger (Contributions by)
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Blackness in Opera critically examines the intersections of race and music in the multifaceted genre of opera. A diverse cross-section of scholars places well-known operas (Porgy and Bess, Aida, Treemonisha) alongside lesser-known works such as Frederick Delius's Koanga, William Grant Still's Blue Steel, and Clarence Cameron White's Ouanga! to reveal a new historical context for re-imagining race and blackness in opera. The volume brings a wide-ranging, theoretically informed, interdisciplinary approach to questions about how blackness has been represented in these operas, issues surrounding characterization of blacks, interpretation of racialized roles by blacks and whites, controversies over race in the theatre and the use of blackface, and extensions of blackness along the spectrum from grand opera to musical theatre and film. In addition to essays by scholars, the book also features reflections by renowned American tenor George Shirley. Contributors are Naomi André, Melinda Boyd, Gwynne Kuhner Brown, Karen M. Bryan, Melissa J. de Graaf, Christopher R. Gauthier, Jennifer McFarlane-Harris, Gayle Murchison, Guthrie P. Ramsey Jr., Eric Saylor, Sarah Schmalenberger, Ann Sears, George Shirley, and Jonathan O. Wipplinger.

About the Author

Naomi André is an associate professor of women's studies at the University of Michigan. Karen M. Bryan is a professor and chair of the department of music at the University of Arkansas at Little Rock. Eric Saylor is an associate professor of musicology at Drake University.

Praise For…

"Fascinating details from behind the scenes are uncovered. . . . . Recommended."--Choice

"A treasury of historical information long unrelated or unknown. . . . This is a most valuable addition to anyone's operatic experience."--American Record Guide 

"An intriguing blend of different methodologies that all coalesce at the examination of how "blackness" is constructed in both canonical and lesser-known operas.  This monograph will no doubt be viewed as one of the hallmarks of musicological scholarship in the years to come."--Women & Music

"Absolutely riveting, full of new information and giving much food for thought."--Opera

"Blackness in Opera provides an engrossing look into issues that have not been well documented by scholars."--Journal of the Society for American Music

"A highly readable collection of interesting essays that come to terms with the deeply problematic treatment of black characters by opera composers and librettists and with the exceptional challenges facing black singers on the operatic stage. The volume will appeal to opera lovers and scholars alike."--Michael V. Pisani, author of Imagining Native America in Music
Product Details
ISBN: 9780252080432
ISBN-10: 0252080432
Publisher: University of Illinois Press
Publication Date: October 30th, 2014
Pages: 304
Language: English