Rimbaud the Son (The Margellos World Republic of Letters) (Paperback)
Is there still more to be said about the original enfant terrible? Yes, if one says it in the way that Michon does in this passionate, poetic, and sly rumination on the creative spirit in general, and the dark angel (Arthur Rimbaud) in particular.— From John
Rimbaud the Son, widely celebrated upon its publication in France, investigates the life of a writer, the writing life, and the art of life-writing. Pierre Michon in his groundbreaking work examines the storied life of the French poet Arthur Rimbaud by means of a new literary genre: a meditation on the life of a legend as witnessed by his contemporaries, those who knew him before the legends took hold. Michon introduces us to Rimbaud the son, friend, schoolboy, renegade, drunk, sexual libertine, visionary, and ultimately poet. Michon focuses no less on the creative act: What presses a person to write? To pursue excellence?
About the Author
Pierre Michon is an author of high acclaim in France and Europe. He was winner of the Prix France Culture in 1984 for his first book, Small Lives, and of the 1996 Prix de la Ville de Paris for his body of work. He lives in France. Jody Gladding, a poet and translator, has translated over twenty books from the French. Elizabeth Deshays is a teacher, translator, and specialized horticulturalist. In 2009 Gladding and Deshays won the Florence Gould French-American Foundation Translation Prize for Pierre Michon’s Small Lives.
With a spellbound, ferocious humility in every way companionable to the soul of his subject, Michon writes an indispensable book. Joining Bonnefoy's Rimbaud and Miller's The Time of the Assassins, Rimbaud the Son accepts a great reading's most fateful election: "To be poetry in person." Surely, Michon has found Rimbaud in person, in his particular Heaven.
--Donald Revell, author of Pennyweight Windows: New & Selected Poems
— Donald Revell
Michon is a brilliant miniaturist of biography, best known for his collection of novellas, Small Lives. In Arthur Rimbaud he has found a perfect sitter for this tintype portrait of the Billy the Kid of French poetry—the fastest draw (and earliest silence) in the history of modern verse.
— Richard Sieburth
— Alyson Waters
— The Quarterly Conversation
— Sam Sacks