Up in the Old Hotel (Paperback)
A collection of some of the best profiles written by the all-time great New Yorker journalist, Joseph Mitchell. With profound empathy and his trademark "old testament humor," Mitchell traces the topography of a vanished New York, a subterranean stage inhabited by bearded women and street preachers and roaming gypsy caravans. Much like James Joyce's contributions to the novel and Bob Dylan's approach to songwriting, Joseph Mitchell elevated journalism by mining profundity from the seemingly mundane and overlooked aspects of daily life.— From Brendan
Saloon-keepers and street preachers, gypsies and steel-walking Mohawks, a bearded lady and a 93-year-old “seafoodetarian” who believes his specialized diet will keep him alive for another two decades. These are among the people that Joseph Mitchell immortalized in his reportage for The New Yorker and in four books—McSorley's Wonderful Saloon, Old Mr. Flood, The Bottom of the Harbor, and Joe Gould's Secret—that are still renowned for their precise, respectful observation, their graveyard humor, and their offhand perfection of style.
These masterpieces (along with several previously uncollected stories) are available in one volume, which presents an indelible collective portrait of an unsuspected New York and its odder citizens—as depicted by one of the great writers of this or any other time.
About the Author
Joseph Mitchell was born near Iona, North Carolina, in 1908, and came to New York City in 1929, when he was twenty-one years old. He eventually found a job as an apprentice crime reporter for The World. He also worked as a reporter and features writer at The Herald Tribune and The World-Telegram before landing at The New Yorker in 1938, where he remained until his death in 1996.
“A legendary figure. . . . Mitchell's reportage is so vivid, so real, that it comes out like fiction of the highest order.” —Chicago Sun-Times“A poetry of the actual, a song of the streets that casts a wide net and fearslessly embraces everything human. . . . This is reporting transformed into literature, news that stays news. . . . His work is so rich and generous and funny that it ought to stay in print forever.” —San Francisco Examiner“Mitchell's darkly comic articles are models of big-city journalism. . . . His accounts are like what Joyce might have written had he gone into journalism.” —Newsweek